Education
2007
California Institute of the Arts (CalArts), Valencia, CA, Master of Fine Arts
2003
Washington University in St. Louis, MO, Bachelor of Fine Arts, with a major in sculpture, Suma Cum Laude
2001
Santa Reparata International School of Art, Florence, Italy
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Solo Exhibitions
2010
Artist Bailout: Renegade Bounty Exchange, A collaboration with Autumn Rooney, Angels Gate Cultural Center, San Pedro, CA
2008
Do you feel different now? A Solo Show, Sea and Space Explorations, Los Angeles, CA
2007
The usefulness of forgetting, Gallery D300, CalArts, Valencia, CA
2006
“Conversation Pieces,” A collaboration with Adam Overton, California Institute of the Arts (CalArts), Valencia, CA
2003
Elk Grave-Sight, Washington University, Tyson Research Center, Eureka, MO |
Group Exhibition
2010
Never Very Far Apart, REDCAT, Los Angeles, CA
Actions, Conversations, and Intersections, Los Angeles Municipal Art Gallery at Barnsdall Art Park, Los Angeles, CA (catalog)
2009
What’s on the page, Imprenta, Los Angeles, CA
Grito e Escuta, 7th Mercosul Bienial, Porto Alegre, Brazil (catalog)
Print Matters: Salon for Independent Book Art & Artist's books, General Store, Sydney, Australia
Performing Economies, Fellows of Contemporary Art, Los Angeles, CA
Soundscapes, Curated by Tiffany Barber, g727, Los Angeles, CA
Stay Bite: Modes of Operation, Curated by Evelyn Serrano and Karla Diaz, University of Texas, Dallas, TX
Needle in a Haystack, Curated by Nate Garcia, Center for the Arts, Eagle Rock, Los Angeles, CA
2008
Complete Neutral Tree Show, Gallery Nineteen TwentySeven, Los Angeles, CA
Exchange Rate: 2008, Los Angeles, CA (catalog)
The Audacity of Desperation, Sea and Space Explorations, Los Angeles, CA
Just how does a patriot act: A response to US policy at home and abroad, Orange County Center for Contemporary Art, Santa Ana, CA (catalog)
Stay Bite, Curated by the Artists for Social Justice Coalition, Lime Gallery, California Institute of the Arts, Valencia, CA
From A to B: A Field Guide to the Urban Commute, Curated by Donna Conwell, Fellows of Contemporary Art, Los Angeles, CA
2007
Desire, The Gatov Galleries, California State University, Long Beach, CA
The Girly Show, Curated by Denise Johnson, The Wignall Museum, Chaffey College, Rancho Cucamonga, CA (catalog)
The Collective Body, Curated by Kristen Raizada, Galerie Califia, The Czech Republic
For Ever, 915 Mateo, Curated by Eungie Joo and Clara Kim, Los Angeles, CA
A not so simple case for torture, Gallery D300, CalArts, Valencia, CA
The Powder Room, Curated by Christine Wertheim and Georgeanne Dean, Track 16, Los Angeles, CA (catalog)
Abre-Alas, A Gentil Carioca, Rio de Janeiro, BR
2006
Mid-Residency Exhibition, CalArts, Valencia, CA
It was the blurst of times, Commerce Street Artist Warehouse, Houston, TX
GLAMFA, The Gatov Galleries, California State University, Long Beach, CA
2005
Hello my name is:, CalArts, Valencia, CA |
Performances and screenings
2010
Drive-in/ Ride-in/ Walk-in Video Screening, Philadelphia Art Hotel, Philadelphia, PA
(non-edible) Bake Sale for the Department of Cultural Affairs, Los Angeles, Los Angeles Municipal Art Gallery, LA, CA
How did that get done; A Cross Section and Time Series Analysis of the No-Income Hypothesis, Los Angeles Municipal Art Gallery, LA, CA
2009
1969, Friends of Distinction (Dan Graham), Curated by Vincent Ramos, Los Angeles, CA
Retirement Bash, with students from Culver City High School, in partnership with the Museum of Contemporary Art, Los Angeles (catalog)
Juste à côté de L.A.: CalArts Video, 2005-2007, le cinematographe, Curated by Audrey Chan, Nantes, France
'till there was you, an inauguration special, Jan. 20, 2009, WILDNESS, Los Angeles, CA
2008
Exchange Rate: 2008, Remy's on Temple, Los Angeles, CA (catalog)
Conventions and Attitudes, Curated by Karen Atkinson, CUNY Graduate Galleries, New York, NY
alt_cph, Alternative Art Fair, Koh I Noor Gallery, Copenhagen, Denmark
Come Out & Play; Supermasochist, Apex Art, New York, NY
Maulwerker Performing Music, SITUATIONS: Art. Life. Transitions. Interpenetrations, Villa Elisabeth, Berlin, Germany
My footnote to David Askevold, Curated by Julie Lequin, Outpost for Contemporary Art, Los Angeles, CA
Publicity, A reinvention of Allan Kaprow’s performance, in partnership with Los Angeles Museum of Contemporary Art, Vasquez Rocks, CA
2007
The Other Project, Organized by Evelyn Serrano, Valencia, CA
Drip Event, The Pawn Shop, Los Angeles, CA
2006
The river is our parade, organized by Fritz Haeg, Santa Clarita, CA
Video Nightmare, Raid Projects, Los Angeles, CA
Sounding Out Festival, CalArts, Valencia, CA
2005
Sounding Out Festival, CalArts, Valencia, CA
The door show, CalArts, Valencia, CA |
Awards/Grants/Residencies
2010
Philadelphia Art Hotel residency, Philadelphia, PA
2009
California Community Foundation Visual Arts Fellowship
Kitty T. Chester Curator's Laboratory Series, Fellows of Contemporary Art, Los Angeles, CA
2005
Willamette Week “Best Group show of 2005” for the TROCA: Brasil exhibit, Portland, OR
2004
Franconia Sculpture Park intern artist fellowship, Shafer, MN
2003
John T. Milliken Traveling Scholarship, St. Louis, MO
Commencement Marshall, Valedictorian of the School of Art, St. Louis, MO
Secor Sculpture Award, St. Louis, MO
Crescent Hills Research Grant, Tyson Research Center, Eureka, MO
2002
University City Public Sculpture Commission, St. Louis, MO |
Curatorial/directorial Projects
2009
Performing Economies, Kitty T. Chester Curator's Laboratory Series, Fellows of Contemporary Art, Los Angeles, CA
2008
Exchange Rate: 2008, an international performance exchange (catalog)
2007
Exquisite Acts and Everyday Rebellions: 2007 CalArts Feminist Art Symposium and Exhibition, collaboration with the “WACK!” exhibition at
The Museum of Contemporary Art in Los Angeles
TROCA: USA, A Gentil Carioca, Rio de Janeiro, Brazil
2005
The Door Show, CalArts, Valencia, CA
TROCA: Brasil, The Feldman Gallery + Project Space, The Pacific Northwest College of Art, Portland, OR |
Lectures + Workshops
2012
Co-Chair with Audrey Chan of The Feminist Art Project day of Panels at the College Art Association conference
2009
CalArts, Visiting Artist Lecture with Audrey Chan and Theresa Masangkay, lecturing in "Experimental Impuse" class
Pacific Northwest College of Art, Visiting Lecturer, Portland, OR
g727, Artist talk for the exhibition "Soundscapes," Los Angeles, CA
2008
CalArts, Visiting Artist Lecturer, Intermedia Department
B/P/D REDCAT Lounge, Panel discussion, Los Angeles, CA
Museum of Contemporary Art, Los Angeles, Visiting Artist, Family Day workshop on the Allan Kaprow Exhibit
CalArts, Visiting Artist Lecturer, Graduate Performance Analysis class, a class offered in the theater school for MFA students
2007
The Other Project, “How to build an event that matters," with Theresa Masangkay, Valencia, CA
Exquisite Acts and Everyday Rebellions: 2007 CalArts Feminist Art Symposium and Exhibition, Valencia, CA, Panel Moderator for “Strategies in Contemporary Feminism,” with Catherine Lord, Andrea Fraser and Mary Kelly
NAAO conference, Los Angeles, CA, Led workshop entitled: “Feminism for Fathers” |
| Teaching Experience
2008-10
Scripps College, Visiting Professor, "Art Fundamentals" and "Intermediate/Advanced Drawing"
2009
Academy of Visual and Performing Arts, Culver City High School, Visiting artist workshop through the Museum of Contemporary Art, Los Angeles
2007-2009
Art Insitute of California-Los Angeles, "Introduction to Contemporary Art"
2008
CalArts, Visiting Professor, “Allan Kaprow: words, actions, events,” which culminated with a performance in partnership with the Allan Kaprow retrospective exhibition at the Museum of Contemporary Art, Los Angeles |
Publications
2010
"February 6" in The Open Daybook, Mark Batty Publisher, October 2010 (forthcoming)
We Are the Art, 2010, Published by the Museum of Contemporary Art, Los Angeles, designed by Colleen Corcoran
“The Participant,” Journal of Aesthetics and Protest, Issue #7
2009
“Performing Economies,” Day to Day, edited by Carolina Caycedo, published through lulu.com, September 2009
Exchange Rate: 2008, designed by Roman Jaster, published through lulu.com
2008
ID 517: Special Topics in Art and Politics: A Not So Simple Case for Torture, One Star Press, A project by students from CalArts with Nancy Buchanan, Sam Durantand Martha Rosler.
2007
GIVE IT TO ME, DO IT TO ME, MAKE ME…, designed by Roman Jaster, published through lulu.com
2006
Conversation Pieces, 2006, a collaboration with Adam Overton
2004
“Garbage Safari,” Garbage Issue, Eaten-Alive Magazine, produced by artist/designer Rachel Mason, v.2 no. 10
2003
Free Issue, Eaten-Alive Magazine, produced by artist/designer Rachel Mason, v.1
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Public Collections
Getty Research Institute |
Bibliography
Keleman, Adam, “Not Very Far Apart,” Bunker Hill Magazine, June, 2010
Cheh, Carol, “Have a meal and Support your local Artists," Another Righteous Transfer, May 2010
Wagley, Catherine, “Can’t Afford the Freeway,” Daily Serving, May 14, 2010
Mayer, Anna, “Letter from Los Angeles,” Proximity Magazine Issue #6, February, 2010
Cheh, Carol, "1969...," Another Righteous Transfer!, December 7, 2009
Conwell, Donna, “The Art of Commuting,” X-Tra Magazine, Vo.12, No. 1, Fall 2009
Denny, Drew, "Performing Economies: would we like a beer?" LA Record, July 20, 2009
Cornell, Lauren, Gioni, Massimiliano and Hoptman, Laura, Younger than Jesus: Artist Directory, New Museum and Phaidon Press,
April 2009, pg. 332
Ruud, Claire, “Elana Mann on Exchange Rate: 2008” …might be good magazine, Issue #109 Bring Your Umbrella, Oct. 31, 2008
Bosco, R, Caldana, S., “Los ‘netartistas’ ofrecen su vision de las elecciones norteamericanas,” El Pais, Thursday, October 30, 2008
Delfanti, Alessandro, “Elezioni USA/ Presidenti Live!” la Reppublica delle Donne, Issue 618, Pg. 62, October, 2008
Buckley, Annie, "Where Art and Craft Collide," Craft Magazine, Volume 8, pg. 34-37, August, 2008
Buckley, Annie, “From A to B at the Fellows of Contemporary Art,” Artweek, July/August, 2008
Pars Magazine, Winter 2007, The Czech Republic
Tasci, Canan, “Curator hopes artwork starts discussions,” Inland Valley Daily Bulletin, October 19, 2007
Wertheim, Christine, “Showing our roots; Has Feminism become just another ‘ism’?” CalArts Magazine, September, 2007
“School is out; rethinking art education today,” Modern Painter, September 2007
Sydell, Laura, “Los Angeles Exhibit shines light on Women in Art,” Weekend Edition, NPR, March 11, 2007
Buckley, Annie, “Viewpoints” Artweek, March, 2007
Muchnic, Suzanne, “Landmarks from a younger vantage,” Los Angeles Times, Sunday, March 4, 2007
Gallivan, Joseph, “Artists take a pit of Portland, come back with pieces of Rio,” The Portland Tribune, February 20, 2007
Osório, Luiz Camillo, “Exposição revela poética das trocas,” O Globo, February 9th, 2007
Butcher, Isabel, “Arte contra clichés,” Veja; Rio magazine, Edition 1991, Volume 40, number 2, page 40, January 17th, 2007
Orosco, Dolores, “O império contra-ataca,” Jornal do Brasil, Volume 116, No. 279, Saturday, January 13th, 2007
Leitão, Gustavo, “Contra-ataque ‘made in USA,’” O Globo: Rio show magazine, Volume LXXXII, No. 26.821, pg 42, Friday, January 12, 2007
Aör, Rodrigo, “Ventos dos EUA,” Jornal do Brasil: Programa magazine, Volume 116, No. 278 pg. 46, Jan 12-18th, 2007
Happenings magazine, Winter edition, California Institute of the Arts, 2006
Gallivan, Joseph, “Art School takes a Brazilian look” Portland Tribune, Aug. 25, 2005
Yatzek, Tanya, “Elana Mann: Artist, Curator, Visionary,” Artworks, Fall 2005, v.10 n.2, 2005
Shimmel, Tom, “Franconia Sculpture Park,” Pulse of the Twin Cities, v.8 no. 20 August 25-31, 2004
Ottem, Liam, “Sept. 11 memorial to be created,” Record v.26 no 23, March 1, 2002
Ottem, Liam, “Sept. 11: six months after,” Record v.26 no. 24, March 15,2002 |